Unlike Thoreau, Dillard does not make connections between the history of social and natural aspects, nor does she believe in an ordered universe. Critic Donna Mendelson notes that Thoreau's "presence is so potent in her book that Dillard can borrow from both straightforwardly and also humorously." Although the two works are often compared, Pilgrim does not comment upon the social world as Walden does rather, it is completely rooted in observations of the natural world. The book often quotes and alludes to Walden, although Dillard does not explicitly state her interest in Thoreau's work. She stated, "There's usually a bit of nature in what I write, but I don't consider myself a nature writer." Dillard has also resisted the label of "nature writer", especially in regard to Pilgrim. Although the chapters are separately named-several have also been published separately in magazines and anthologies-she referred to the book in a 1989 interview as a "single sustained nonfiction narrative". Although it is often described as a series of essays, Dillard has insisted it is a continuous work, as evidenced by references to events from previous chapters. Pilgrim at Tinker Creek is a work of creative nonfiction that uses poetic devices such as metaphor, repetition, and inversion to convey the importance of recurrent themes. Home Pilgrim at Tinker Creek Wikipedia: Style and genre
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